On the edge of the Honam Line, the speed of the Bidulgi-ho train, which once cut through the fields of Jeongeup, closely mirrored the pace of life itself. For the people of Chogang-ri, Chogang Station was the only gateway to the world and a sanctuary where a weary day ended. Although it now remains a quiet station where passenger trains no longer stop, the old platform is still layered with the laughter of grandmothers carrying bundles and the excitement of students on their way to school. The Bidulgi-ho was more than just a type of train. It was a 'moving parlor' that stopped at every station, conveying warmth between people. The distinct sound of the whistle when the train stopped at Chogang Station served as a clock for the villagers and a messenger of hope for parents waiting for their children to return from the city. From a folkloric perspective, Chogang Station is a space where communal identity is condensed, forming the foundation of Korean lyricism. The atmosphere of this place can be traced through popular culture. The sorrows and joys captured in classic songs like 'Rainy Honam Line' were completed as they passed through small stations like Chogang. While grand literary works dedicated solely to Chogang Station are rare, writers from Jeongeup have often projected the landscapes of Chogang-ri through the symbol of 'the nameless small station' in their poetry and novels. Local elders who remember the station say, 'Chogang Station wasn't just a place where the train stopped; it was the heart of the village.' In a modern society that demands only speed, the decline of Chogang Station leaves a lingering regret. However, what we must not forget is that the things disappearing in the name of efficiency are actually the roots that have supported the deepest parts of our emotions. Though the Bidulgi-ho at Chogang Station has stopped, the memories born there still live and breathe in the scent of Jeongeup's soil. Like an old pine tree guarding the hometown, the memory of Chogang Station offers us the comfort found in the aesthetics of slowness.